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canada, Stephanie

My sister is freaking out and yelling at me because I’m awake in the morning and I made pancakes. I’ve never seen anyone so upset abt pancakes. IT’S A NEW DAWN A NEw DaY AND I’m FeELING GOoood

Good late-ish morning to you
80s-90s-supermodels: “Voyagez Leger”, Elle France, July 1993Photographer : Philip Newton

80s-90s-supermodels:

“Voyagez Leger”, Elle France, July 1993
Photographer : Philip Newton

(via agencina)

mpdrolet: Coyhand

mpdrolet:

Coyhand

(via seraphmachine)

"My objective is to create my own world and these images which we create mean nothing more than the images which they are. We have forgotten how to relate emotionally to art: we treat it like editors, searching in it for that which the artist has supposedly hidden. It is actually much simpler than that, otherwise art would have no meaning. You have to be a child—incidentally children understand my pictures very well, and I haven’t met a serious critic who could stand knee-high to those children. We think that art demands special knowledge; we demand some higher meaning from an author, but the work must act directly on our hearts or it has no meaning at all."
— Andrei Tarkovsky, from “Against Interpretation: An interview with Andrei Tarkovsky,” Framework no. 14, 1981. (via cerebralnausea)

(via gronalund)

Yohji Yamamoto SS 08

Yohji Yamamoto SS 08

(Source: highqualityfashion, via defamiliar)

"Impatience has probably been a bigger stumbling block in the way of real ability than anything else. Doing anything well, I’m sure, means hurdling obstacles of one kind or another most of the way to the goal. Skill is the ability to overcome obstacles, the first of which is usually lack of knowledge about the thing we wish to do. It is the same in anything we attempt."
— Andrew Loomis, Drawing the Head & Hands (via pogorobot)
ph. Todd Hido

ph. Todd Hido

(Source: moldavia, via futurisms)

fashionising: Between the Mists and the Waters by Norman Murray

fashionising:

Between the Mists and the Waters by Norman Murray

(via capacity)

"It is very hard to live with silence. The real silence is death and this is terrible. To approach this silence, it is necessary to journey to the desert. You do not go to the desert to find identity, but to lose it, to lose your personality, to be anonymous. You make yourself void. You become silence. You become more silent than the silence around you. And then something extraordinary happens: you hear silence speak."
— Edmond Jabes  (via fuckthereallife)

(Source: ains0phaur, via fuckthereallife)

museumuesum: Pak Sheung Chuen To share a watermelon with an unknown person, 2005 photo documentation of performance To share a watermelon involved Pak buying half a watermelon at a Hong Kong supermarket, taking it home and eating it at his kitchen table. Pak’s conception of what he was doing—“sharing” with an unknown and unknowing collaborator through the ostensibly anonymous logistics of a commodity-based culture—reconfigures a mundane commercial transaction into a latent social network. Typical of his projects, this strategy allows him to devise seemingly personalized connections from otherwise anonymous situations. museumuesum: Pak Sheung Chuen To share a watermelon with an unknown person, 2005 photo documentation of performance To share a watermelon involved Pak buying half a watermelon at a Hong Kong supermarket, taking it home and eating it at his kitchen table. Pak’s conception of what he was doing—“sharing” with an unknown and unknowing collaborator through the ostensibly anonymous logistics of a commodity-based culture—reconfigures a mundane commercial transaction into a latent social network. Typical of his projects, this strategy allows him to devise seemingly personalized connections from otherwise anonymous situations.

museumuesum:

Pak Sheung Chuen

To share a watermelon with an unknown person, 2005

photo documentation of performance

To share a watermelon involved Pak buying half a watermelon at a Hong Kong supermarket, taking it home and eating it at his kitchen table. Pak’s conception of what he was doing—“sharing” with an unknown and unknowing collaborator through the ostensibly anonymous logistics of a commodity-based culture—reconfigures a mundane commercial transaction into a latent social network. Typical of his projects, this strategy allows him to devise seemingly personalized connections from otherwise anonymous situations.

(via iwytlm)

水原 希子 Instagram Update 130612

水原 希子 Instagram Update 130612

(Source: k-kiko, via defamiliar)

(Source: requ13m, via dystopianfuture)

"What strikes me is the fact that in our society, art has become something which is related only to objects and not to individuals, or to life. That art is something which is specialized or which is done by experts who are artists. But couldn’t everyone’s life become a work of art? Why should the lamp or the house be an art object, but not our life?"
— Michel Foucault (via polymathlete)

(Source: quotesandnonsense, via oyessi)

Theres something super embarrassing about listening to graham coxons music

catimbozeiro: Praia de Moreré, Ilha de Boipeba, Bahia, Brasil

catimbozeiro:

Praia de Moreré, Ilha de Boipeba, Bahia, Brasil

(via jeje01)